Ringed plover, Rochester Bestiary, c.1230
In medieval lore, the Caladrius, also known as Charadrius, emerges as a fascinating figure. According to the Physiologus, this mystical bird, akin to a ringed plover, is as white as a swan and possesses a long, graceful neck. Found in the courts of kings, the Caladrius is believed to have the extraordinary ability to diagnose the fate of the ill. If a person is destined to die, the bird turns its face away, signalling impending death. Conversely, if the person is to survive, the Caladrius gazes directly into their face, absorbing their illness. It then flies toward the sun, burning away the sickness and dispersing it, thus healing the afflicted.
Symbolically, the Caladrius represents our saviour. Its pure white colour symbolises a life free from sin and deceit. Christ, descending from high heaven, turned away from the unbelieving Jews and embraced the non-Jews, taking their illnesses upon Himself. He died on the cross, ascended to heaven, led captivity captive and bestowed gifts upon humanity. Despite being listed among unclean birds in Leviticus as well as forbidden to be eaten or imitated, the Caladrius still symbolizes Christ. This bird, with its long neck and habit of seeking food from the earth's depths, also signifies a contemplative person. Such a person is outwardly religious but overly concerned with earthly matters—a trait not to be emulated.
Ultimately, the Caladrius, by turning from the dying and looking to the living, as well as soaring towards the sun, mirrors the essence of Christ. Like the lion, king of beasts, and the eagle, king of birds, the Caladrius is unclean by law yet deeply emblematic of Christ's attributes: the supreme ruler of all the faithful.
totus est albus sicut cignus. et longum collum
habet. cuius interior fimus; curat caliginem oculorum.
Hic in atriis regum invenitur. Si quis est in egritudi-
ne; ex hoc caladrio cognoscitur; si vivat an moriatur.
Si enim homo mori debet; avertit faciem suam ab eo;
Et quo signo cognoscunt homines; quia moriturus est.
Si vivere debet; intendit in faciem illius. Et qui as-
sumeret omnem egritudinem illius intra se; volat in
aera contra contra solem quasi comburendo infir-
mitatem ipsius et eam dispergendo. et sic sanatur in-
firmus. Caladrius habet personam nostri salvatoris.
Totus enim est candidus. quia non fecit peccatum. nec
inventus est dolus in ore eius. Veniens autem christus de
excelsis; avertit faciem suam a iudeis propter incre-
dulitatem eorum. et convertit se ad nos gentes. tollens
infirmitates nostras exaltatus in ligno crucis. et as-
cendens in altum; captivam duxit captivitatem.
dedit dona hominibus. Caladrius tamen in levitico inter
inmundas aves numeratur; que commedi id est imitari;
est secundum proprietatem illam qui longum collum ha-
bens cibum querit sibi de profundis visceribus terre.
Et ideo secundum illam proprietatem significat contemplati-
vum. habentem specium religionis. cuius lectio est de celestibus;
et vita de terrenis. qui in hoc imitandus non est. Se-
cundum autem illam proprietatem qua se avertit a morturis
et se convertit victuris volans in altum contra solem;
significat christum. Sicut leo et aquila licet inmunda sunt
secundum legem; tamen christum significant secundum aliquam sui
proprietatem. Quia leo est rex ferarum. et aquila vola-
tilium. et christus omnium fidelium;
Further Reading
David Badke, The Bestiary Blog: Animals in the Middle Ages, Caladrius, November 6 2023, https://bestiary.ca/beasts/beast143.htm
Mynott, J, Birds in the Ancient World (New York: Oxford University Press 2018)
Josh Goldenberg (BA 2012) and Matt Shanahan (BA 2014), Logeion, November 2022, https://logeion.uchicago.edu/
Castiglioni, L. and Mariotti, S. (1996). Vocabolario della Lingua Latina: Latino-Italiano Italiano-Latino. Terza Edizione. Loescher Torino
Curley, M. J., Physiologus: A Medieval Book of Nature Lore (University of Chicago edition 2009)
Rackham, H., M.A., Pliny Natural History Volume III, Libri VIII-XI (London: William Heinemann Ltd, 1949)
Collins, A. H., M.A., Symbolism of Animals and Birds (New York: McBride, Nast & Company, 1913)
Henderson, C., The Book of Barely Imagined Beings (London: University of Chicago Press, 2013)
White, T. H., The Bestiary: A Book of Beasts (New York: G.P Putnam’s Sons, 1960)
Matthews, J. and Matthews C., The Element Encyclopedia of Magical Creatures: The Ultimate A-Z of fantastic beings from myth and magic (London: HarperElement, 2005)
Barney, S. A., Lewis, W. J., Beach A., Berghof O., The Etymologies of Isidore of Seville (New York: Cambridge University Press, 2006)
Endnotes
[1] If we try to match this description more closely with a real bird, a species that is entirely white and has a relatively long neck is the Great Egret (Ardea alba). While not a plover, the Great Egret fits the physical description better: it is entirely white and has a long neck.
[2] This description seems more mythical or symbolic than the real description of this bird. In medieval bestiaries, animals often had exaggerated or idealized features that carried symbolic meaning rather than being accurate depictions of real animals. The white colour typically symbolises purity or holiness and the long neck could be a symbolic feature rather than a literal one.
[3] Ephesians NKJV 4:8: Therefore He says: “When He ascended on high, He led captivity captive, And gave gifts to men.” This phrase means that Christ triumphed over the powers of sin and death (captivity).